Batik Pattern Cement
I. Preliminary
Batik pattern batik of cement appeared in every region, especially in Java, which includes among others Yogyakarta, Surakarta, Banyumas and Cirebon. Batik patterns are found mainly on the type of cement Batik Kraton, the Kraton of Batik Effect, Sudagaran Batik, Batik Peasant, and Indonesian Batik. Thus, it can be said that the cement batik patterns found on most types of batiks. Cement pattern is easily recognizable because of its distinctive ornamentation composer who is always present in the pattern.
II. Pattern History of Cement
The origin of the presence of cement pattern begins when the government Sunan Pakubowono IV (1787 1816) when he raised the son of the crown as a potential successor. He invented the pattern in order to remind his son to the behavior and character of a ruler like a sermon given by King Rama to Raden Gunawan Wibisana when will be the king. Discourse is known as the Hasta Brata.
This discourse consists of eight (feet), each case is shown in the pattern-cement with a variety of decorative forms that have a philosophical meaning in accordance with the meaning of each ornament is. Therefore, batik patterns of creation, he was given the name Rama cement (from King Rama). Based on the description above it appears that the pattern of cement is one of the batik patterns that reflect the influence of Hindu-Buddhist religion in batik. This is understandable because at the time of batik patterns that are created at about the time of the Mataram kingdom (at the time of Sultan Agung Hanyokrokusumo, 17th century AD), the civilization in the kingdom still maintains elements of Javanese tradition that is influenced by the Hindu religion- Buddhist. Their effects are not found only in the elements of art and literature, but also the elements contained in the customs and religious ceremonies today.
Compared with the pattern Slope Parang or existing since the time of Mataram (Penembahan during Senopati), cement pattern pertained younger. Cement pattern created after the pattern always contains a variety of cement-Rama decorative cement contained in the pattern of Rama, either in part or in full. However, there is one ornament that always must be present and is characteristic of a cement is a decorative pattern or the Meru mountain. This is due to cement the name of the pattern obtained from such ornamentation.
Cement is the origin of the word spring. Meru mountain or ornamentation derived from the word that is the highest mountain Mahameru residing place of the gods of the Hindu religion. In the mountains there are certain ground where the plants sprout. This is where the origin of the word semen.
Cement pattern included in the group of non geometric batik pattern, other patterns of batik-lungan Buketan Lung, And Fringe.
III. Cement Growth Pattern
As mentioned above, the pattern of the first cement-range of decorative displays that follow the philosophical meaning of Hindu religion (taken from the Ramayana story), so the philosophical meaning of the pattern of cement in accordance with the teachings contained in the Ramayana Hastabrata.
Further development of philosophical value content of cement pattern, other than those represented by the Hastabrata decorative, some are combined with other decorative variety-which is the basis of a pattern, as an example is the pattern Birawa Elephant cement. The pattern appears to the decorative form of an elephant, there are at rante cement forms such as chains, and so on. Moreover, a lot of cement with decorative patterns of the principal who has experienced a sense of improvisation based creators, but remained philosophical meaning the same nature, was given a name that has meaning as a reflection and hope. An example is cement Sidoasih with various versions but reflect the same meaning.
IV. Type of batik which has a pattern of cement
1. Batik Kraton - Sultan's Palace (gurdho cement, cement sinom), Kraton Surakarta (gendhong cement, cement dormitory), Puro Pakualaman (cement sidoasih), Puro Mangkunegaran (cement Jolen), Cirebon (cement dormitory, plane bride).
2. Batik Effect Palace - Banyumas (Klewer cement Banyumasan).
3. Sudagaran Batik - Yogyakarta (sidoasih cement, cement giri), Surakarta (dormitory cement, cement kakrasana).
4. Rural Batik - Yogyakarta (cement rante), Surakarta (cement dormitory).
5. Indonesian Batik
Various patterns of cement contained in this type of Indonesian Batik. Even in his first appearance, at approximately one in 1950, cement batik patterns dominate these kinds of Indonesian batik patterns in addition to the machete and slope because, in principle, Indonesian Batik is a blend of classical or traditional batik patterns (patterns of patterns of cement and machetes or slope) with staining coastal Batik .
I. Preliminary
Batik pattern batik of cement appeared in every region, especially in Java, which includes among others Yogyakarta, Surakarta, Banyumas and Cirebon. Batik patterns are found mainly on the type of cement Batik Kraton, the Kraton of Batik Effect, Sudagaran Batik, Batik Peasant, and Indonesian Batik. Thus, it can be said that the cement batik patterns found on most types of batiks. Cement pattern is easily recognizable because of its distinctive ornamentation composer who is always present in the pattern.
II. Pattern History of Cement
The origin of the presence of cement pattern begins when the government Sunan Pakubowono IV (1787 1816) when he raised the son of the crown as a potential successor. He invented the pattern in order to remind his son to the behavior and character of a ruler like a sermon given by King Rama to Raden Gunawan Wibisana when will be the king. Discourse is known as the Hasta Brata.
This discourse consists of eight (feet), each case is shown in the pattern-cement with a variety of decorative forms that have a philosophical meaning in accordance with the meaning of each ornament is. Therefore, batik patterns of creation, he was given the name Rama cement (from King Rama). Based on the description above it appears that the pattern of cement is one of the batik patterns that reflect the influence of Hindu-Buddhist religion in batik. This is understandable because at the time of batik patterns that are created at about the time of the Mataram kingdom (at the time of Sultan Agung Hanyokrokusumo, 17th century AD), the civilization in the kingdom still maintains elements of Javanese tradition that is influenced by the Hindu religion- Buddhist. Their effects are not found only in the elements of art and literature, but also the elements contained in the customs and religious ceremonies today.
Compared with the pattern Slope Parang or existing since the time of Mataram (Penembahan during Senopati), cement pattern pertained younger. Cement pattern created after the pattern always contains a variety of cement-Rama decorative cement contained in the pattern of Rama, either in part or in full. However, there is one ornament that always must be present and is characteristic of a cement is a decorative pattern or the Meru mountain. This is due to cement the name of the pattern obtained from such ornamentation.
Cement is the origin of the word spring. Meru mountain or ornamentation derived from the word that is the highest mountain Mahameru residing place of the gods of the Hindu religion. In the mountains there are certain ground where the plants sprout. This is where the origin of the word semen.
Cement pattern included in the group of non geometric batik pattern, other patterns of batik-lungan Buketan Lung, And Fringe.
III. Cement Growth Pattern
As mentioned above, the pattern of the first cement-range of decorative displays that follow the philosophical meaning of Hindu religion (taken from the Ramayana story), so the philosophical meaning of the pattern of cement in accordance with the teachings contained in the Ramayana Hastabrata.
Further development of philosophical value content of cement pattern, other than those represented by the Hastabrata decorative, some are combined with other decorative variety-which is the basis of a pattern, as an example is the pattern Birawa Elephant cement. The pattern appears to the decorative form of an elephant, there are at rante cement forms such as chains, and so on. Moreover, a lot of cement with decorative patterns of the principal who has experienced a sense of improvisation based creators, but remained philosophical meaning the same nature, was given a name that has meaning as a reflection and hope. An example is cement Sidoasih with various versions but reflect the same meaning.
IV. Type of batik which has a pattern of cement
1. Batik Kraton - Sultan's Palace (gurdho cement, cement sinom), Kraton Surakarta (gendhong cement, cement dormitory), Puro Pakualaman (cement sidoasih), Puro Mangkunegaran (cement Jolen), Cirebon (cement dormitory, plane bride).
2. Batik Effect Palace - Banyumas (Klewer cement Banyumasan).
3. Sudagaran Batik - Yogyakarta (sidoasih cement, cement giri), Surakarta (dormitory cement, cement kakrasana).
4. Rural Batik - Yogyakarta (cement rante), Surakarta (cement dormitory).
5. Indonesian Batik
Various patterns of cement contained in this type of Indonesian Batik. Even in his first appearance, at approximately one in 1950, cement batik patterns dominate these kinds of Indonesian batik patterns in addition to the machete and slope because, in principle, Indonesian Batik is a blend of classical or traditional batik patterns (patterns of patterns of cement and machetes or slope) with staining coastal Batik .
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