The batik scarf

The batik scarf has been becoming a popular fashion accessory in the modern world today. While both designs and the Humble batik scarf is steeped in tradition, they combine to produce the batik scarf which can add an exotic touch to the wardrobe.

Batik PRODUCTS HAVE THEIR ROOTS IN A type of wax resist dye technique called the dye method. This technique was first seen in ancient Egypt where they were used to wrap the bodies of various Mummies at the time. Today however, there are two main centers of batik production, India and South East Asia.

The main producers of the best batik products are from India, Malaysia, Indonesia and Thailand. The most highly sought batik products are those that are produced in Indonesia. Indonesia has a rich history of batik making that can be traced back centuries.

Like Malaysia, batik products in Indonesia were people from traditionally worn by nobility and aristocrats. This is still seen today as batik is still a popular choice among politicians as well as attending social functions Respective the nobility.

Attire batik shirts and formal wear are viewed as in Indonesia and Malaysia and is very much part of their cultures. Undoubtedly, the most highly sought after batik products are those that are produced in Indonesia. They have some of the best designs that are influenced by religion and culture from specific regions such as Bali and Java.

While batik products have never been widespread globally, they have become much more accessible to just about anyone from in country. One of main reasons for increased accessibility is undoubtedly the Internet. Such goods along with fashion ideas travel through this medium increasingly Nowadays which may be why the batik scarf has been slowly making InRoads. While not very popular in the West, used correctly, the batik scarf can add glamor and sophistication as day wear or even during formal functions.

For a further look at the BATIK SCARF, pay a visit to the authors website. Covering not only the batik scarf, cashmere, velvet and chiffon scarves are upon touched as well.

If you want to learn how to play the violin, you are going to have to put a lot of time into learning the Proper technique and practice. The Violin is a simple instrument, but with the right tools, you can create amazing sounds and emotions. So what is the best way to learn to Violin Technique.

Hiring a teacher. The best way to learn is by hiring a Violin Technique teacher. A teacher will be who can give you personal attention, and answer personal questions. They will also guide you through your lessons to be the due date, and give you any advice, and create a lesson plan that Focus on your skills and needs. There is, however, one big drawback when it comes to hiring a teacher. They are expensive. Violin teachers can cost a hundred dollars or more just for an hour lesson. This is a lot of money just to learn Violin Technique. Luckily, there are other ways that you can learn.

You Can Teach Yourself. This is obviously the cheapest method. All you need is to Teach Yourself the Violin Violin itself. Violin Teaching yourself is a process of trial and error, and at times, it could be more harmful than beneficial. People Who Teach Bad Habits and develop themselves Violin often it is Probably not the best way to learn to Violin Technique. Although, many people who have been successful at teaching themselves, it requires a lot of patience and discipline to do so.

So what do you do if you do not have the money for a private tutor, and you do not want to develop Bad Habits? One of the most common things that people are doing is buying a software program. These programs may not have the personal attention you get from a teacher, but they do have all the information you need to become a better violinist. They also cost a fraction of what you'd pay for a teacher, and that you can use them anytime you want.

BATIK IN INDONESIAN

Everyone needs to know that batik is currently extremely popular in the world especially in Indonesia as the world's largest batik industry and have been admitted from all over the world it has been proved the existence of formal recognition from the UN as the highest body in the world. Everything is not just a statement can be expressed with real blaka when visiting every region in Indonesia you will find that smelled sundries batik from CLOTHES, ACCECORIESS, shoes, bags and many others.
For the process itself in many ways such as use of CAP and BATIK BATIK PAINTINGS. For the time being fairly highly sought after and worked on a large scale in the industrialized world BATIK today. Therefore we are proud enough as a culture that can be corakcorak art in the world as well as an official identity.

The Meaning of Batik

What is batik? I can safely make this statement that while many people know or have heard about this word, especially so here in Malaysia, Singapore and Indonesia, but many people do not, or rather, have got a wrong misconception of batik itself.

In my discussions with friends and general public, many people have mistaken with batik design batik / batik designs or even batik fabric.

History has it that batik is an old craft that dates back centuries. Batik is actually a hand-drawn and hand-painted technique, which uses wax.

The wax is a form of "resist" method, and the purpose of this method is so that when color is put on a certain spot on the fabric, it does not run to the other part. Let's take an example - is an artist is going to draw a floral motif and he wants the blue background eg. The motif of a flower (a yellow flower with a green stalk).

Now, imagine that the artist will be drawing on a white piece of cloth. The artist will first draw the outline of the motif (ie. the flower stalk &) with wax. And later, he will start to paint, starting with the yellow color of the flower. What does the wax is to hold the yellow in place, so that it will not run to the green stalk. And when he paints with green next, the same thing applies, that is not the green will flow to the yellow flower. Finally, he paints the blue background.

And of course, the artist will later have to wash the wax off the cloth, hence leaving that part which was originally covered with wax back to its original white color fabric. Hence, the white outline for the motif. And that is all it is to the meaning of batik.

However as mentioned earlier, a lot of people mistake with batik design batik / batik designs especially if they see a traditional or floral motif type, or patterns on a white cloth that have Outlines. These may or may not necessary come from the 'batik' technique, as it could come from modern day print.

In addition, just because these prints have the more traditional motifs / patterns, do not mistake them to come from the form of batik art.

In fact, there are modern designs, which are actually made from the batik technique as well. But people do not know it is so because it does not have the traditional look and feel to it.

So my suggestion to you that if you appreciate art, and batik In particular, the first Be Aware whether the fabric really comes You buy from the batik art. And secondly to be open minded to embrace the change in modern times that batik need not necessary relate just to the old Motif / patterns.

QuaChee is the author-publisher of the unique batik book, Batik Inspirations , published under his company, specialises in lifestyle & entertainment (publishing, apparels, and productions) - modernising old-age heritage and traditions, and bringing them to a new concept. Is his dream for these art forms that appeal to all generations, and at the same time relate them to, thus keeping the heritage and tradition Alive.

Trusmi Batik: Potential Business and Cultural Symbols

Trusmi Batik: Potential Business and Cultural Symbols

In the very near future, a batik museum will open in London, England. Fiona Kerlogue, an anthropologist who falls in love with Indonesian batik cloth, stating that in the assembly meeting of the Indonesia-UK (Anglo-Indonesian Society) at the Indonesian Embassy in London, this weekend.

Quinn, who claims to know first batik from the book "The History of Java" (1817) by Sir Stamford Raffles, said the museum will display the works of Indonesian batik.

Thanks to Raffles, the art of batik has indeed been long known in foreign countries, but only in recent years widespread attention both batik as well as cultural work as a commodity. In a charity bazaar in London this week also, for example, Princess Alexandra, a member of the British royal family, declared his admiration for the kinds of fabric crafts this when visiting the pavilion of Indonesia.

In a business environment, batik also lure foreign businessmen. In 2004, for example, one Japanese conglomerate, Kageshima, has established a business contract to market the origin of Batik Trusmi Plered, Cirebon.

The rising tide of interest in this batik center opened opportunities for the development of batik Trusmi, which in the last decade considerably between contracted. In many areas of batik is likely to become extinct crushed by the rate of the modern textile industry.

From Plered Kageshima reportedly ordered several types of products which have been determined from Japan. The design is generally determined from the giant company, it's just handed over to the maker of batik patterns Plered own. Several types of products purchased is a futon, a type of bed cover, obi (belt), pajamas and robe.

However, this kind of business contracts are still limited. In recent years still sounds Trusmi Batik craftsmen complained about the difficulty of marketing. Until recently most Trusmi batik producers still rely on local sales and Cirebon Trusmi only.

Another obstacle: businesses still rely on supply Trusmi batik cloth for batik from Pekalongan workmanship. Cirebon not have a fabric manufacturer who can produce cotton cloth and silk in large quantities. This constraint makes producers hard to fulfill orders in large quantities.

Some of these obstacles need to be food for thought together. Although not as popular as Yogya batik, its quality Batik motifs dominated Trusmi Megamendung been able to compete with Batik Yogya, Solo and Pekalongan. Batik business expansion, to foreign countries, will ensure Batik Trusmi not merely be economic footing some residents, but rather a symbol that brings fragrant name internationally in Cirebon and surrounding areas.

Cirebon batik ornamentation is inseparable from the history of assimilation beliefs, art and culture that brought ethnic and nation in the past. Before the 20th century, Cirebon, which has become a sea port town of inter-island trade in agricultural products are frequently visited by traders from different ethnic groups, and merchants from China and the Middle East.

Meetings between ethnic and culture through these trade routes have been given access to the influence of regional cultural art style of Cirebon. Form of imaginary animals such as lions and peksi barong liman dragon is a form of cultural mix of Chinese, Arabs and Hindus also painted on batik decorative Trusmi.

Not only that batik can be sold. Trusmi own batik centers actually have the potential to become a tourist attraction and shopping tour a very interesting history.

The story begins with Batik Village Trusmi Trusmi role of Ki Gede. One of his loyal followers of Sunan Gunung Jati was taught the art of batik while spreading Islam. Until now, the tomb of Ki Gede is still well maintained, in fact every year is pretty solemn ceremony, the ceremony CHANGE Welit (grass roof) and Replace shingles every four years.

Trusmi can be packaged in a package holiday destination with another tourist attraction in Cirebon, Kraton Kanoman and Kasepuhan as well as a tourist attraction a lot of history scattered in Cirebon, Majalengka, Brass and Indramayu.

Trusmi demanding the revival of broad cooperation of various parties, not

Cirebon Batik Trusmi Excellence

Cirebon Batik Trusmi Excellence

Repeatedly in each ongoing exhibition of batik in Jakarta and other cities are often the buyer asked me, "What advantage Trusmi batik or batik-batik Cirebonan compared with batik from other areas?" The answer to my more or less as follows: In my opinion that Batik-batik is basically generated by the centers of batik from various regions in general is very good and has a very diverse pattern motifs and unique and can not be said of batik, which one is better than from other regions.

The uniqueness of the resulting pattern motifs and batik-batik from various regions are the most extraordinary power, especially for the wealth of Indonesian batik. Did not exist in any country who have wealth like batik designs which is owned by the Indonesian nation.

When we want to see the many riches Indonesian batik designs are the simplest example can be seen in the area of West Java. Although still in one province and the same cultures, each with an area like Cirebon Indramayu already has the character and motives of different designs. Between Cirebon and Garut also has the distinction very far away and very significant difference.

Overall Cirebon batiks batiks coastal including into groups. But also some batik batik Cirebon Kraton included in the group. This is because in Cirebon, which has two Keratonan Kasepuhan Palace and Palace Kanoman, supposedly based on the history of these two royal palace appeared a few classic designs such as Cirebon batik motif Mega Unisex, Paksinaga Liman, Patran Keris, Lion Umbrella, Singa Barong, Banjar Balong, Alas chicken and others.

Some important things that can be advantages (typical) compared to the production of batik Cirebon batik from other regions are as follows

1. Batik Cirebonan for the traditional classic designs usually involves wadasan motif (rock) on the part of certain motifs. Besides, there is a cloud-shaped decorative element (mega) on a customized parts with its main motif.
2. Cirebonan batik traditional / classical is always characterized by the background (base fabric) younger than the color line color of the main motives
3. Part background / basic fabric clean of stains are usually black or colors that are not desired due to the use of wax that broke and resulted in the coloring process unwanted dye attached to the fabric.
4. The lines in batik motif Cirebonan using a single line and thin (small) approximately 0.5 mm with an older line of color compared to the background color. This is because the process of batik Cirebon superior in closing (blocking area) using a special canting (canting walls and bleber).
5. These colors are usually the dominant classical batik Cirebonan yellow, black (Sogan pads) and a cream base color, some dark red, blue, black base color with beige or ivory fabric.

The fifth feature is a technical one advantage of batik Cirebonan classical / traditional.

As with the group that includes Cirebonan batik batik coastal groups. Cirebonan coastal batik character as the character of the population affected by coastal communities which generally have a soul open and receptive to foreign influences. The area around the port is usually a lot of strangers stopped, anchored to the place of other ethnic marriages (assimilation) so Cirebonan coastal batik is more likely to accept outside influences.

Cirebon Batik is more likely to meet or follow consumer tastes from various regions (more to the accomplishment of commodity trade and komersialitas), so the colors more attractive coastal batik Cirebonan using many colors.

Cirebonan batik production at present consists of batik, batik batik combination of Cap and seal stationery. In the year 1990 - 2000 there are some communities in the craftsmen who produce batik Cirebonan Cirebon batik fabric with hand screen printing techniques (hand printing), but lately the hand silk-screening technique is almost extinct, due to losing everything by the technique of screen printing machines owned by the companies more large.

Producing areas of production and there Cirebonan batik artisans in five distinct village areas, precisely the areas that surround the village Trusmi (Cirebonan batik center). The villages around the village including the village Trusmi Gamel, Kaliwulu, Wotgali, Kalitengah and Panembahan. Trusmi batik growth appears to move quickly beginning in 2000, this can be seen from the many emerging batik showroom showrooms around the main village road and Panembahan Trusmi. Batik showroom owner Trusmi almost entirely owned by the original Trusmi community although there are one or two are owned by the owners of capital from outside Trusmi.

Batik Process Batik Fractal VS Traditional

Batik Process Batik Fractal VS Traditional

Netsains.Com - Batik Batik Fractal is a touch of design (color and variety hiasnya) created with mathematical formulas that worked with computer technology. In the process of making batik fractal divided into two stages, first stage is performed by making design fractal design team, and a second stage carried out by a team of batik makers.

Batik Fractal software development done in Bandung by Tim Pixel People and Bandung Fe Institute, while the production of batik made by Batik Komar in Bandung as well.
In the first stage yields only to the extent the pattern of the image (color) is printed on a sheet of paper with the size of the Folio. The next phase will continue in the process of batik is done by a team of batik production.

Yun Hariadi one team member Pixel People describe the process of making batik fractal design as follows "Before making batik, the first thing to do is to measure the DNA of the batik. Measuring the regularity of characteristic motifs and batik by using a tool called Fractal Dimension. The measurement results are then called DNA batik. As an example of broken machete motif from Yogyakarta. First, the motif of batik fractal transformed into a mathematical formula with L-System language. The formula is then modified by changing the parameters so as to produce a formula which is more complex and complicated. Furthermore, the formula is mixed with jBatik program, an application built with open source software base. This formula will produce different batik motifs image of the original motif. Designers can continue to change the parameters of the formula so that the images produced in accordance with designer aesthetics. Once designers get the expected pattern, the motif is then given to the traditional batik cloth dicanting above. ".

Still Hariadi Yun said, "Depart from Chaos theory, the theory that discusses the sensitivity on initial conditions, the team succeeded in applying mathematics in JBatik software. Fractals appear as a sign of order in the chaos (chaos) in a complex system. One way to understand the fractal is the fractal dimension by using a ruler who need a new geometry, the geometry, which could accommodate the concept of self similarity (Fractal Geometry, Mendelbrot 1967). Fractal geometry to accommodate objects of fractional dimension, eg 0.7, 1.5, or 2.75. With a ruler fractal dimension, fractal level of an object can be compared. In his explanation, the calculation of fractal dimension on 200 samples of batik with batik batik show that fractal dimension 1.5. This shows that not enough batik dimensional object depicted by a single but excessive if two-dimensional objects depicted.
Once we know the process of creating batik fractal design in theory, then I will explain in detail the process of producing a traditional Batik Fractal. Based on the experience I have been doing, batik fractal stage production process is relatively longer and require a long time compared with traditional batik production process. Although there must be a better side and lack of comparison between traditional versus batik batik fractal. Explanation of the production process of batik fractal in detail as follows:

a. For the initial design of batik fractal we need a few tools that cangggih like a computer with high capability, the printer and there should be a photo copy machine service that can enlarge images up to A0 size. To design a fractal pattern must have the ability to operate computers and understand the logic of computer programming. A fractal batik designer must be able to use some computer software, including software that has been created specifically Jbatik to design fractal design, and is expected to be people who have sufficient capability with computer technology, science and art. While for the traditional batik designers simply use a pencil or pen type Rapido. If just a picture or sketch which forms the origin Jbatik presumably with the software can be a bit easier, but if desired motives must be good and attractive batik fractal presumably a designer must work hard to turn his brain.

b. I would need to convey a little sample piece of fractal design formula with the theme "Traditional batik Kangkung Patran Cirebonan" ever attempted was made as follows:
"E = [A] [B] [C] [D], A = C + FAE, B = C-FBE, C = C? FCE, D = C & FDE" means the symbols [] indicate branching, '+', ' - ',' & ',?, indicating angles in three dimensions.
The advantages of this Jbatik software that is when we feel we've got some pictures module (formula), then the processing and subsequent design development will be easier and more design variations that have different and very fast when compared with manual design steps. We can create a simulation design with lay-out motif composition, detail motif (complete with a variety of isen-isen), with three-dimensional visualization design, enlarge and reduce images, color simulation very fast and beautiful according to what we want.
batik.

Batik fractal

Batik fractal is a form of innovation, particularly at the level of discovery. Fractal Batik originated from a creative ideas embodied in concrete form, which is a product of batik fractal. Basically, batik fractal could turn into an invention, if there has been recognition, acceptance, and application of new inventions in society. If the management of copyright and trademark by PPPRD complete care for, it is not impossible batik fractal will be transformed into an invention in the middle of the community.

According to the authors, the presence of batik fractal is a manifestation of dissatisfaction of individuals against the classic batik motifs. If individuals are satisfied, they will defend it. In the case of batik fractal, they make innovations to the classic batik-batik. The result of dissatisfaction with the authors that purpose it has created more value than classical aesthetics is: from an already beautiful shape into a form more beautiful. There is increasing the quality of the integration path between the realm of cultural and scientific heritage.

Batik as cultural heritage (cultural heritage), which has grandeur inspired values of PPPRD. Thus, PPPRD started doing serious research on batik. Batik analyzed mathematically. The final conclusion is that they can batik fractal dimension. Based on these final conclusions, PPPRD create a software package named JBatik (Java Batik) based open source software. The software uses the java programming language that tends to be more flexible. After the existence of such software, PPPRD began creating a variety of batik fractal.

According to the authors, PPPRD has been successfully carried out a compromise between the classical and the region modren. Region represented by the classical course of batik as cultural heritage, while the region is represented by modern science. Results are still world-class discovery innovation is reflected through PPPRD products, namely batik fractal.

Batik Fractal in Innovation Approach

Batik Fractal in Innovation Approach

-From data analysis was done by comparing PPPRD-classical motifs and batik fractal based on the comparison component. The components used for comparison is the color and motif. By making this comparison, we can find similarities and differences between them.

Some authors use the term will; main ornament (klowongan), isen, and decorative filler. It is three basic elements of batik motifs. Isen is an ornament that fills the decorative parts of the main (klowongan). Meanwhile, the decorative ornaments filler is placed in the background as a pattern of balancing the overall pattern of the field to look neat and harmonious (Doellah, 2002: 255-260).

Based on the data, the color motif classic machete tend not to bright so impressed inconspicuous. Such colors are characteristic of conventional apparent in classical batik. Color matching is also still retain classical formula. Alloying of young brown and dark brown are the two colors that are often encountered in classical batik.

Parang classical ornamentation charger is a tangible pattern slash. In other words, decorative charger machete is a classic batik pattern consisting of one or more decorative motifs which are arranged to form stripes parallel to the oblique angle of about 45o. Isen contained in the classic machete does not look solid. While the main ornament in the decorative filler.




Comparison of Classical Parang (a) and A Machete Fractals (b)

Parang motif fractal color visible light. Bright colors on the fractal pattern as machete-like signal characteristics that are not bound anymore contemporary formula contained in the classical batik. Alloying is also quite bold colors. Brave enough based on the fact that the use of yellow are combined with striking blue color so impressed.

Ornamentation is a pattern of fractal filler machete slashes tangible or lines parallel to the oblique angle of about 45o. Isen contained in fractal machete looks more solid. Meanwhile, the main ornament in the decorative filler.

Based on the data, color motif kawung classic looks bright. That fact makes color classic kawung inconspicuous. Such colors are characteristic of conventional apparent in classical batik. Color matching is also still retain classical formula. Alloying of young brown and dark brown are the two colors that are often encountered in classical batik.

Kawung classical ornamentation filler commonly called fried pattern. Isen contained in classical kawung not look solid when compared with the fractal kawung. Meanwhile, the main ornament in the decorative filler.

Color motif fractal kawung visible colors of light when compared with classical motifs kawung. Alloying of color between red and black color is perfect and harmonious impression. Alloying was impressed with the color does not look too conspicuous when compared with the color of batik fractal machete.

KRATON YOGYA



Comparison kawung Classical (a) and kawung Fractals (b)

Charger ornamentation kawung fractal patterns are also commonly known as a fried. Ceplok patterns contained in the fractal kawung greater than that contained in the classical kawung. Isen contained in kawung fractal looks solid. Meanwhile, the main ornament in the decorative filler.

After the authors analyze data between classical motifs and motif machete machetes kawung fractal and classical motifs and patterns, fractal kawung, the author would conclude that trend-kecenderunga writer can. Tendencies, which the writer was referring to the similarities and differences between classical motifs (represented by the motifs of classical and kawung classic machete) and batik fractal (represented by the motifs and kawung fractal fractal machete).

The concept of Batik, Innovation, and their relationship with Culture

The concept of Batik, Innovation, and their relationship with Culture

In the Introduction to Anthropology (1990), culture is a whole system of ideas, actions and results of human work in the framework of life which belongs pledged themselves by learning. Culture has three basic form, namely as an idea or ideas, as human behavior is patterned, and as objects of human work. In addition, kebudayan has seven main elements. The seven elements: knowledge systems, living systems equipment and technology, social organization, language system, religious system, livelihood systems of life, and art.

For most people of Indonesia, batik is considered as the result of original craft inherited by generations. Batik is closely related to aspects of life most of the people of Java. Motifs contained in batik are often associated with a variety of special meaningful symbols in their culture. Basically, the arts, including batik painting using a tool called a canting. Batik is the paintings or drawings on cloth made by using the tool named canting. Results of the batik process is the creation of a product called a form of batik or batikan various motifs (Hamzuri, 1989: vi).

Batik has a variety of ornaments. Some of these decorative, decorative Ngibing Peacock (Indramayu and Garut), dawn (Madura), Peacock Merem (Jambi), Cement Gurdo (Cirebon), Filling (Pekalongan, Yogyakarta, Solo and Cirebon), Parang Barong Damaged (Yogyakarta ), kawung King (Yogyakarta), Limar (Solo), and others. Batik ornamentation which varies generally influenced by: (1) batik makers geographical area concerned; (2) the nature and structure of living area concerned; (3) beliefs and customs that exist in the area concerned; (4) state surrounding environment, including flora and fauna, and (5) any contact or relationship between the regions (Djoemena, 1990: 1-11).

Although up to now still uncertain of its origins, the word batik is assumed to come from the Java language, namely ambatik (drawing or writing). There are two opinions about the origins of batik. The first opinion, there is a tendency to say that in Egypt in the sixth century there have been batik cloth and eventually spread to the Arabian Peninsula Africa. There is evidence that the Egyptians and Persians wore batik clothes in the reliefs contained in the pyramid. Second opinion, based on archaeological evidence that people of India, China, Japan and other countries in East Asia have also been familiar with batik. Nevertheless, there is a clear fact that batik has been present in Java in XII century as a necessary part of the cultural and economic kingdom of Majapahit (Purwanto, 2003: 14).

In the early developments in Indonesia, batik is circulating in the environment as a palace of jewels from the king's wife. From the palace, known as batik and special items that show the high status of the wearer. In the history of nationalism, Indonesia, batik is a national clothing used by women and men to distinguish the Western nations (the class) are generally dressed in shirts and jackets as well as other Eastern nations (the second class), which generally use their distinctive clothing (Purwanto, 2003 : 14).

As a cultural heritage, batik was born from a spiritual nobility which contains its own philosophical values, especially for the Java community. The Javanese believe that to achieve the required good balance and harmony between the human, environmental, and natural. Confidence needs to be embodied in material culture that produced and developed within the palace, including in the process of making batik. Sophistication of techniques, symbolic meaning, and spiritual aspects of batik is also spread beyond the palace.

Batik ornamentation associated with social status, for example; batik ornamentation and kawung barong machete damaged. Batik that uses such ornamentation may only be used by the king and his immediate family. It relates to the meaning or philosophical significance in Hindu-Javanese culture. The second ornament is often referred to as the prohibition of ornaments (not everyone can use it) (Djoemena, 1990: 12). However, as the times, both decorative batik has become the property of the community together. In other words, people are free to use it.

The essence of culture is a manifestation of the life of society itself and its development process. Culture is the manifestation of the personality of a society that gives people the sense that identity is reflected in the orientation that shows the view of life and value system in the perception to see and respond to the outside world, in patterns and attitudes embodied life, in everyday behavior, as well as in lifestyle that characterizes life (Poespowardojo, 1986: 29).

Culture can be said to progress and develop in a culture that if there is a new cultural elements that can occur because of the new discovery (invention) or a modification of the new invention (innovation) in the presence of mixing of culture (culture acculturation). The term invention contains two meanings, the first invention which refers to the discovery of a completely new with all the considerations that are adjusted with environmental requirements. Both will create new behavior as a result of the emergence of a new experience of community advocates (Sjafei, 1986: 97).

According Koentjaraningrat, innovation is a process of cultural change that occurred within a period not too long. The process includes a new invention, the way of new discoveries in the midst of society, and how its acceptance in society. Moreover, innovation is a process of renewal of the use of natural resources, energy, capital, labor regulation, and the use of technology that resulted in the production systems and new products. Thus, the innovation associated with the renewal of culture pertaining to technological and economic aspects (Koentjaraningrat, 1990: 135).

Anthropology Inside science, invention-innovation associated with the self-differentiated into two kinds of words; discovery and invention. Discovery is the discovery of a new cultural elements, either in the form of a concrete form (product), or in the form of an abstract form (ideas), created by an individual or a group within society. A discovery may be an invention if it has happened recognition, acceptance and application of new inventions in society. At the time a new invention that has become invention, the innovation process is not yet complete. The spread of new discoveries in the midst of the community continued to be encouraged (Koentjaraningrat, 1990: 135).

According Koentjaraningrat, the drivers of the occurrence of new discoveries include: 1) awareness of individuals will be lacking in culture; 2) the quality of experts in a culture, and c) incentive systems for creation activities in the community. Finding something new that would require huge resources, but to spread something new would need a bigger power

Location where batik craftsmen in Plered

WHEN the way to the location where batik craftsmen in Plered Kab.Cirebon Trusmi, crossed my mind, local craftsmen in the area Trusmi batik is certainly rather shabby. But such thoughts were quickly erased when I entered the area from Jln Trusmi. Panembahan and Jln. Trusmi great-grandfather, an area that became centers of batik craftsmen. On the road, we will encounter some of the showroom is arranged in the form of luxury homes with large enough parking lot. If not properly installed in the front showroom signage, may not have thought such a fine house was a place for the sale of batik. This scene was also a previous menyirnakan my mind was imagining Trusmi slum. Trusmi is an area of the largest batik craftsmen in the area of "Sunan Gunung Jati". Because of its popularity, the Cirebon batik making, better known as batik Trusmi. When we visited the showroom of batik, do not be surprised if it will enter the showroom, we must take off shoes or sandals on the front porch just like if you will entering the mosque. It may be simply to maintain the cleanliness of the showroom. Trusmi batik centers in the city this Kab.Cirebon Plered District, judging from the existing facilities and infrastructure, have the potential to become a tourist attraction that is very interesting shopping. So it seems there's nothing wrong Trusmi packaged in a package holiday destination with another tourist attraction in Cirebon, as Kanoman and Kasepuhan Palace and many historical tourist attraction across the region of Cirebon. Course to "sell" area was required polished arrangements and promotion of activities, cooperation with the hotel or travel bureaus engaged in tourism services. Batik Trusmi, although not as popular as Yogya batik, its quality seems to have been able to compete with centers produced batik - batik centers, especially in Java, such as Yogyakarta, Solo and Pekalongan. If we take a stroll and intends to buy batik Trusmi, can be much choice in the matter of price. Obviously depending on the quality of materials and motifs of batik. We can get batik or batik print with a very varied prices, ranging up to USD 60000.00 Rp 300.000,00 / cut. There is also a worth of USD 800,000.00 and USD 1.4 million, in the form of batik silk base with quality materials made using ATBM (not the engine loom). The basic ingredients of this quality batik from Garut, a town in the region Priangan that were not only famous for its typical food such as dodol, but also as a silk-producing topnotch quality. Addition to material of batik shirts, scarves also sold for between Rp 15000.00 up to USD 25000.00. As well as material for clothing, scarves price is determined also by the basic materials of cloth, cotton or silk. ** IN the annals, Cirebon batik ornamentation is inseparable from the history of assimilation beliefs, art and culture that brought ethnic and nation in the past. Before the 20th century, Cirebon, which has become a sea port town of inter-island trade in agricultural products are frequently visited by traders from different ethnic groups, and merchants from China and the Middle East. Meetings between ethnic and culture through these trade routes, has given access to the influence of culture and art style of the area of Cirebon. Cultural influences can be seen of them on the train greatness two existing palace in Cirebon. Each lion barong Kasepuhan Palace and the Palace peksi liman Kanoman dragon. Form of imaginary animals such as lions and peksi barong liman dragon is a form of cultural mix of Chinese, Arabs and Hindus also painted on batik decorative Trusmi. "Variety of decorative batik culture is influenced by culture, geography, beliefs and mores," said H. Katura, one of the batik crafters Trusmi encountered "homework". According Katura, in Cirebon, there are two kinds of decorative batik, batik namely the coastal and the palace. Batik coast, the motive was more marked with pictures of flora and fauna, such as marine and terrestrial animals, fish, trees, leaves. Palace batik motive was likely in the form of ornaments in the form of rocks (rock), train lion barong, as the dragon, the park arum and chicken base. Batik ornamentation palace is divided into two types, the first that used the retainer or servants in the palace. Batik for retainer variety hiasnya strong and big. Second, that used the nobles hiasnya variety of fine and small. The colors of the original palace of Cirebon batik, colored generally Sogan, black, dark blue and yellow. Effect of culture and belief in Cirebon batik patterns and motifs, among which is symbolized on the plates and dishes selampad batik. Batik ornamentation on the composition of dishes inspired by Chinese porcelain wall hangings used Astana Gunung Jati and the palace. Chinese-style ornamentation is an accumulated effect of taste-batik masters of Chinese descent that time. China's output of batik masters are generally colored red, blue, green and white. That's a typical color of coastal batik.

Ornamentation is also adopted from the symbols related to the myth of history, like the decorative navel of the earth, which described a hole on the top of Gunung Jati where Islamic religious leaders and deliberation, the base of the mountain chicken or batik which became a symbol of religious broadcasting and the spread of Islam from the Hill Gunung Jati. Then arum sunyaragi Batik park symbolizing a fragrant garden where the king meditated to get closer to the Almighty Creator.

.Batik Jambi city

.Batik Jambi
. Existence of Batik Jambi until now still a source of study for researchers of textile crafts. They build Jambi batik is a mix of different fabrics from China, India, Persia and Arabia. This assumption could be true considering Batanghari river is used as a strategic crossroads of different peoples, then stoping by or stay and influence the local culture.
Old motifs of Batik Jambi such ornaments as seen in the carvings of the traditional home Jambi and bridal apparel. Over time, the motivation to develop, so a piece of batik is a number of varieties of ornament and his character is a naturalist, in the form of typical Indonesian flora, such as Jasmine, Clove, taro leaf, flower of plate glass (kaca piring), Flower of durian, and herds of diamond jewelry. Currently more than 100 species recorded Jambi Jambi batik including geese, Ship of Sanggat, Broken Durian, and others.
Batik Jambi uses natural dyes, among others, will be held from the tree Lampato. Batik typical colors are dark blue, dark blue, dark red and yellow. But now, the colors are more varied.
The city has many variations of Jambi Batik, silk to cotton. The price also varies, ranging from the hundreds of thousands to millions of rupiah each. As the first. Using Batik Jambi used to limit the palace. But little is used by different batik motifs circles.The first can only be worn by the king and his family, now generally by ordinary citizens.

.Batik and Will Meet in Tokyo's Harajuku

.Batik and Will Meet in Tokyo's Harajuku

TOKYO, Friday - Commemoration 50 years Indonesia-Japan relations is not only crowded held in Indonesia especially in Jakarta, but also in Japan. Indonesian Community in Japan (ICJ) will be offered JAVARIZM, an event that presents the Indonesia-Japan cultural affinity and strengthen relations between the two countries Saturday (29/11) tomorrow at Fifty Seven, Roppongi, Tokyo.

A combination of culture to be exhibited in the arena is a combination of batik and Harajuku culture. Who does not know the style of Harajuku fashion style? Located in the Harajuku district of Tokyo, Japan was famous as a place to "hang out" people who are stylish and fashionable. Harajuku style is itself a kind of street fashion street fashion or who do not know the rules.

Well, what would happen if the pop style of Harajuku style combined with traditional Indonesian batik? The result was "Harjutik" or Harajuku with Batik artist from Bandung, Indonesia, Tiarma Sirait.

Tiarma is a principal art in Indonesia who excel at international level. One of the last accomplishments was to represent Indonesia in the Olympic Fine Arts in Beijing last August. Tiarma also been a guest artist and doing exhibitions in various museums in Fukuoka, UK, Sweden and other countries.

In JAVARIZM later, Tiarma will be supported by a Japanese professional models who volunteered to help the success of this event. The existence of this model is one form of cooperation provided by Japan's younger generation.

Besides the fashion show, will also be presenting JAVARIZM Indonesian musicians and DJs are DJ Adit Anton joined in the group "Agrikulture". These groups have a good record and his name had been listed in the electronic music world in Southeast Asia.

Batik Muda-Mudi Pukau Harajuku Japan

Batik Muda-Mudi Pukau Harajuku Japan

TOKYO, accompanied by boisterous applause beat of hip-hop music to witness the richness of batik fashion show fashionable Harajuku (Japanese young contemporary fashion) which was attended by about 200 Japanese young people packed a nightclub in the Roppongi area, Tokyo, Saturday - night 29 November 2008 .
A total of 44 collections from fashion designers Tiarma Sirait displayed by dozens of beautiful and slim models from Japan, as part of the commemoration of 50 years the friendly relations of Indonesia - Japan.

Every time a model appeared on the catwalk, click amazed and visitors gaze never leaving lenggak-swing movement of the model was wearing a batik night with conspicuous color patterns combined with each other batik "colliding".

"Heeee, sugoi (great, red)," was the comment of a young Japanese girl after watching a performance which was also attended by the diplomats, journalists and also a number of young Japanese businessman.

"I was deliberately making batik clothing for the youth of Japan, among which are easily to be attracted by something new," said Tiarma Sirait told Antara after performances.

Tiarma had just received a prestigious award of the Olympic Fine Art paintings are so interested in an exhibition of batik clothing that targets young people in Japan. Once got an offer from Javarism, the committee to hold the event, he simply states agree.

'Introducing Indonesia at this time would require a more creative way. Batik can be the beginning of Harajuku style will Indonesian introduction of an acceptable way Japanese youth, "said Tiarma who also bring as many as 200 works to be sold on the night.

According to her batiks are already enough known in Japanese, but has not become a fashion choice, whereas the batik potential to become the world's most extraordinary fashion. Tokyo, as one part of the fashion trends the world is a place that needs to be selected as a venue for performances of batik which is also in order to have worldwide reverberations.

Meanwhile, Mr Jusuf Anwar said that the show "Harjutik" or combination of styles and batik Harajuku is a young Indonesian children the courage to display their creative work overseas.

"Introducing Indonesia is not always through formal occasions, but the art of fashion show could also become a means of diplomacy is good to introduce Indonesia differently," said former finance minister's.

Ala Harajuku style with Batik

Ala Harajuku style with Batik

Batik fashions not far from collared blouse, a loose sack dress, or long dress. Although variations quite diverse, cutting and tend to the same model. If you get bored with the Batik fashions that-that's all, try to create his own style which is more fresh and young! Harajuku style you can adapt the technique with stacks and coherent fashion frontier.

"If years ago, wearing a dress or batik is still limited to two pieces, now we can be creative with some batik clothing at once," says designer Denny Wirawan.

You can combine batik blouse with a pair of Jodhpur, stacked with a jacket or bolero, then add a hat and scarf batik is also nuanced.

Or, can match a blouse with a skirt flares, and add the cap, belts and scarves and boots. Feel free to combine two or three at a time batik clothing, provided that is still in the harmonization of colors.

"At first glance it may seem too much, but this is a new alternative description, by combining a variety of styles and colors all at once, it's exciting style-young appeal," explained Denny.

Although the creative freedom to be the main thing, there are several things that must be considered, especially the selection of batik motifs and colors that tend to hustle and rich colors.

Photos: Vibizlife / stocky, Eddy



2-3 combines batik

If your boss a large motif, do not match anymore with the underling or a patterned bolero great as well, because it would 'cover' the body of the wearer.

"For example, when wearing a jacket without a collar bolero models with large kawong motif, for its equivalent, can wear a blouse or dress patterned smaller machetes," said Denny.

Not only is batik with batik, you can also integrate with weaving, ulos or motive jumputan (Tye die).


Color Selection

If employers have enough colors, select subordinates whose color is more neutral, like black, white or brown. But if you want to wear another color, which is still in the equivalent of wearing one color shades.

If in one superior garment containing multiple colors like red, green, yellow and blue, wear one color subordinates who are supervisors, or at least shades of the same.

Ohayou, Batik Combine with Harajuku

Ohayou, Batik Combine with Harajuku

BANDUNG, KOMPAS.com-Starting-indulgence on the Japanese fashion style aka "harajuku" and want to help preserve their cultural heritage as Indonesian batiks, Ohayou production house design competition organized themed "Batikjuku".

"Our intention of course to preserve national culture and making young people more creative and innovative," said Maya Yuliana, owner of production house Ohayou moment met on the sidelines Ohayou Fashion Festival 2010 "held in Bandung on Sunday.

This activity is harajuku style clothing design contest using batik fabrics as basic materials of manufacture.

Competitor designs "batikjuku" totaling 15 people, with an average participant to send three to five designs. "Design contest winners will be rewarded as gifts by Ohayou realization of their designs," said Maya.

In addition to the design competition, it also held a fashion show with the theme "harajuku" and "batikjuku". To "batikjuku" Ohayou party featuring some of their design, such as "batik punk" and "batik lolita." "Our design is simple and allows to be worn everyday," said Maya.

Each year, Ohayou create events with different themes. "This year the theme of fashion. In addition to the design competition, there is also a race 'costum player', the festival of bands, and cabaret," said Nurul (20), the event organizers.

Ohayou, which stood at 2007 in Bandung, a fashion production house specializing in harajuku style. Now, production houses have also become a gathering place lovers harajuku style, both fashion and music.

Japanese Gothic Style Inspiration and Apokayan

Japanese Gothic Style Inspiration and Apokayan

KOMPAS.com - famous Indonesian designer, Didi Budiardjo, issued its latest collection. This time he was inspired by the uniqueness of Japanese gothic style and interior Dayak tribe in Kalimantan.

Japanese gothic style, which was given the theme of Gothic Lolita, Harajuku style that displays a dark-colored, combined with keeksotikan Indonesian batik, such as batik Sogan, machetes, fried, truntum, and Solo-Jogja batik other.

"I combine batik mini intersect with the cape or jacket, accented with fur (feathers) that the trend among young Japanese," Didi said after the fashion show titled "Colours of Indonesia" in building the Ministry of Culture and Tourism, Jakarta, Wednesday (24 / 2 / 2010).

Meanwhile, women's fashion in the interior of Borneo Dayak tribes also became his inspiration. This style is named Apokayan, which means River Kayan in Kalimantan. "I want to feel the fashion connoisseur of travel on the Kayan River," said the bespectacled designer.

Design Apokayan crafts displays beaded geometrial pinned to the head cover (cap typical Dayak women) to clothes and shoes. Meanwhile, the cloth used is woven cloth with a pattern that has been modified, for example, patterned tropical animals, dragons, and others.

Besides launching a collection of mature, Didi also features batik designs for children. One style of batik, which is used for the collection of this child style reminiscent of a bird in a sling is often used by mothers when holding her child.

Actually there is one more design collections, but not displayed. Given the theme of Pret a Porter Paris, this collection combines French style and keeksotikan Bugis. The design uses an average of once trendy white color at the time of Napoleon Bonaparte.

Pret a Porter Paris and its Gothic Lolita and Apokayan previously displayed at a fashion show with the same theme by the Foundation in Sulam Indonesian Indonesian Embassy in Japan, beginning in February 2010.

Influenced by cultural development time and changes in the environment

Influenced by cultural development time and changes in the environment

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One of the interesting features of Indonesian batik is the changes in styles, motifs and colors that have come about through exposure to foreign cultures. Throughout Indonesian history, every time the rich tradition of batik has come in contact with foreign traders or colonial rulers, they want to have influenced the development of batik. Some of the most famous results are described below:
Kraton batik

Palace batik batik considered based on Java. It is rich in Indian-influenced motives that led to the courts of Java since the fifth century, and later influenced by the culture of Islam. Hindus introduced bird sanctuary - Garuda, sacred flower - lotus, dragon - the dragon and the tree of life. Islam forbids depiction as human or animal, brought stylized and modified ornaments as symbols, eg, flowers and geometric designs.

As a special dress code court dress of Java, batik Kraton easily recognized by its sub-divisions, batik Kasunanan Surakarta, Yogyakarta sultanate batik, batik and batik Mangkunegaran Pakualaman Pura. Over time, changes and modifications prominent batik batik Kasunanan Mangkunegaran, although both originating from the same source. Pakualaman batik from Yogyakarta city, originating from both sultanate Kasunan and design traditions and is more unique because the whole process was completed in Surakarta.
Dutch batik

Although Chinese merchants arrived in Java earlier than Europeans, their impact on batik was evident in a later period. batik Dutch, Dutch batik literally, appeared in 1840, decades before the emergence of batik China, Chinese batik. Records show that European settlers in the northern coast of Java began producing batik on their activities in the middle of the 19th century. They are the first in a new era of international enrichment which is still evident in modern day Indonesian batik. Reaching the peak of creativity in 1890-1910, Dutch batik is clearly recognized by various works of art called the major designers. Among the most famous batik Zuylen Van These are from Charlotte Eliza van Zuylen, Van Oosterom batik from Carolina Catharine van Oosterom, batik Prankemon by Carolina Josephina von Franquemont, Lies Metzlar Metz by batik, batik from Yans AJF Yans, and batik by Coenrad Coenrad of Pacitan, East Java.
Chinese batik

Much influenced by Chinese culture, emerging after decades of Dutch batik, batik China is easily recognized by the wide range of reasons, including the unique Chinese dragons, phoenixes, snakes, Lions, flowers and traditional Chinese designs made from china . It is also easily recognizable by its bright and pastel colors. In its efforts to penetrate the markets of Surakarta and Yogyakarta, batik China appeared in two derivatives, batik and batik Two Three Negri Negri, processed in the coastal north coast, Surakarta and Yogyakarta in Central Java. Chinese batik is still in production in the coastal towns of Pekalongan (SOE Oey Tjoen in Kedungwuni), Cirebon, Kudus and Demak. Batik Hokokai

Designed especially for the Japanese during the period, which Japanese occupied Indonesia (1942-1945) specific designs of batik Hokokai, which called for Japanese tastes, attract Chinese consumers in Java and Malay as well. Very influenced by Japanese design motifs and coloring in it, with fine intricate backgrounds enhanced the appearance of beautiful flowers Designed. Mainly Hokokai was styled as batik Morning Afternoon batik fabrics with color and different models in each half of the length of fabric. Favorite motifs included hoist and slope.
Indonesian batik

Freedom from Dutch colonial rule introduced new designs of Indonesian batik. In the early 50s, President Sukarno encouraged the creation of a new style of batik, batik popularly called Indonesia. A symbiosis between different styles of batik, especially from the principalities of Yogyakarta and Surakarta and the north coast of Java, What soga still used as basic brown color, batik Indonesia was conducted using bright colors. Some appeared in a completely new design, ie, Bird of Paradise, Sruni, Clothes and Food, Prawn, while still using traditional processing systems. Indonesian batik batik is also called Modern.
Batik Sudagaran

An important genus in the development of batik, batik Sudagaran went to the late 19th century the principalities of Surakarta and Yogyakarta. Produced by sudagar or batik merchants, it is easily recognized by modified classical ornaments organized to taste the merchants. Some popular creations Filling A patchwork style, hoist the introduction of snail-like motifs, filled with extra fine slope called spirals Ukel and sperm This shows high quality workmanship.
Coastal batik

Batik designs distinctive coastal towns they are from the northern coast of Java, Pekalongan and Cirebon involved. Designs show through Chinese influence in their use of bright colors, flowers and new motifs.