Influenced by cultural development time and changes in the environment
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One of the interesting features of Indonesian batik is the changes in styles, motifs and colors that have come about through exposure to foreign cultures. Throughout Indonesian history, every time the rich tradition of batik has come in contact with foreign traders or colonial rulers, they want to have influenced the development of batik. Some of the most famous results are described below:
Kraton batik
Palace batik batik considered based on Java. It is rich in Indian-influenced motives that led to the courts of Java since the fifth century, and later influenced by the culture of Islam. Hindus introduced bird sanctuary - Garuda, sacred flower - lotus, dragon - the dragon and the tree of life. Islam forbids depiction as human or animal, brought stylized and modified ornaments as symbols, eg, flowers and geometric designs.
As a special dress code court dress of Java, batik Kraton easily recognized by its sub-divisions, batik Kasunanan Surakarta, Yogyakarta sultanate batik, batik and batik Mangkunegaran Pakualaman Pura. Over time, changes and modifications prominent batik batik Kasunanan Mangkunegaran, although both originating from the same source. Pakualaman batik from Yogyakarta city, originating from both sultanate Kasunan and design traditions and is more unique because the whole process was completed in Surakarta.
Dutch batik
Although Chinese merchants arrived in Java earlier than Europeans, their impact on batik was evident in a later period. batik Dutch, Dutch batik literally, appeared in 1840, decades before the emergence of batik China, Chinese batik. Records show that European settlers in the northern coast of Java began producing batik on their activities in the middle of the 19th century. They are the first in a new era of international enrichment which is still evident in modern day Indonesian batik. Reaching the peak of creativity in 1890-1910, Dutch batik is clearly recognized by various works of art called the major designers. Among the most famous batik Zuylen Van These are from Charlotte Eliza van Zuylen, Van Oosterom batik from Carolina Catharine van Oosterom, batik Prankemon by Carolina Josephina von Franquemont, Lies Metzlar Metz by batik, batik from Yans AJF Yans, and batik by Coenrad Coenrad of Pacitan, East Java.
Chinese batik
Much influenced by Chinese culture, emerging after decades of Dutch batik, batik China is easily recognized by the wide range of reasons, including the unique Chinese dragons, phoenixes, snakes, Lions, flowers and traditional Chinese designs made from china . It is also easily recognizable by its bright and pastel colors. In its efforts to penetrate the markets of Surakarta and Yogyakarta, batik China appeared in two derivatives, batik and batik Two Three Negri Negri, processed in the coastal north coast, Surakarta and Yogyakarta in Central Java. Chinese batik is still in production in the coastal towns of Pekalongan (SOE Oey Tjoen in Kedungwuni), Cirebon, Kudus and Demak. Batik Hokokai
Designed especially for the Japanese during the period, which Japanese occupied Indonesia (1942-1945) specific designs of batik Hokokai, which called for Japanese tastes, attract Chinese consumers in Java and Malay as well. Very influenced by Japanese design motifs and coloring in it, with fine intricate backgrounds enhanced the appearance of beautiful flowers Designed. Mainly Hokokai was styled as batik Morning Afternoon batik fabrics with color and different models in each half of the length of fabric. Favorite motifs included hoist and slope.
Indonesian batik
Freedom from Dutch colonial rule introduced new designs of Indonesian batik. In the early 50s, President Sukarno encouraged the creation of a new style of batik, batik popularly called Indonesia. A symbiosis between different styles of batik, especially from the principalities of Yogyakarta and Surakarta and the north coast of Java, What soga still used as basic brown color, batik Indonesia was conducted using bright colors. Some appeared in a completely new design, ie, Bird of Paradise, Sruni, Clothes and Food, Prawn, while still using traditional processing systems. Indonesian batik batik is also called Modern.
Batik Sudagaran
An important genus in the development of batik, batik Sudagaran went to the late 19th century the principalities of Surakarta and Yogyakarta. Produced by sudagar or batik merchants, it is easily recognized by modified classical ornaments organized to taste the merchants. Some popular creations Filling A patchwork style, hoist the introduction of snail-like motifs, filled with extra fine slope called spirals Ukel and sperm This shows high quality workmanship.
Coastal batik
Batik designs distinctive coastal towns they are from the northern coast of Java, Pekalongan and Cirebon involved. Designs show through Chinese influence in their use of bright colors, flowers and new motifs.
Practical information for foreigners, expats and immigrants moving to Indonesia - learn about housing, education, transportation, shopping and more to prepare you for your stay in Indonesia
Bookmark and Share
Check out What's New in Expat Web Site
Links to hundreds of articles giving practical information for expats moving to Indonesia
Post your questions or Communicate with other expats in Indonesia Expat Forum
Looking for a place to stay in Indonesia - check out the Housing Forum
Looking for a weekend or vacation getaway ... Visit Some Great Escapes Indonesia
Some great restuarants in Jakarta
Tips and resources for doing business in Indonesia
Info on the immigrant community organizations in Indonesia
Shops, Products and Services
Links to other useful web related Indonesian or expat
Expat Humor - spread the joys of Living in Indonesia through e-Postcards
Site Map
Back to Home
left the country for Indonesia
One of the interesting features of Indonesian batik is the changes in styles, motifs and colors that have come about through exposure to foreign cultures. Throughout Indonesian history, every time the rich tradition of batik has come in contact with foreign traders or colonial rulers, they want to have influenced the development of batik. Some of the most famous results are described below:
Kraton batik
Palace batik batik considered based on Java. It is rich in Indian-influenced motives that led to the courts of Java since the fifth century, and later influenced by the culture of Islam. Hindus introduced bird sanctuary - Garuda, sacred flower - lotus, dragon - the dragon and the tree of life. Islam forbids depiction as human or animal, brought stylized and modified ornaments as symbols, eg, flowers and geometric designs.
As a special dress code court dress of Java, batik Kraton easily recognized by its sub-divisions, batik Kasunanan Surakarta, Yogyakarta sultanate batik, batik and batik Mangkunegaran Pakualaman Pura. Over time, changes and modifications prominent batik batik Kasunanan Mangkunegaran, although both originating from the same source. Pakualaman batik from Yogyakarta city, originating from both sultanate Kasunan and design traditions and is more unique because the whole process was completed in Surakarta.
Dutch batik
Although Chinese merchants arrived in Java earlier than Europeans, their impact on batik was evident in a later period. batik Dutch, Dutch batik literally, appeared in 1840, decades before the emergence of batik China, Chinese batik. Records show that European settlers in the northern coast of Java began producing batik on their activities in the middle of the 19th century. They are the first in a new era of international enrichment which is still evident in modern day Indonesian batik. Reaching the peak of creativity in 1890-1910, Dutch batik is clearly recognized by various works of art called the major designers. Among the most famous batik Zuylen Van These are from Charlotte Eliza van Zuylen, Van Oosterom batik from Carolina Catharine van Oosterom, batik Prankemon by Carolina Josephina von Franquemont, Lies Metzlar Metz by batik, batik from Yans AJF Yans, and batik by Coenrad Coenrad of Pacitan, East Java.
Chinese batik
Much influenced by Chinese culture, emerging after decades of Dutch batik, batik China is easily recognized by the wide range of reasons, including the unique Chinese dragons, phoenixes, snakes, Lions, flowers and traditional Chinese designs made from china . It is also easily recognizable by its bright and pastel colors. In its efforts to penetrate the markets of Surakarta and Yogyakarta, batik China appeared in two derivatives, batik and batik Two Three Negri Negri, processed in the coastal north coast, Surakarta and Yogyakarta in Central Java. Chinese batik is still in production in the coastal towns of Pekalongan (SOE Oey Tjoen in Kedungwuni), Cirebon, Kudus and Demak. Batik Hokokai
Designed especially for the Japanese during the period, which Japanese occupied Indonesia (1942-1945) specific designs of batik Hokokai, which called for Japanese tastes, attract Chinese consumers in Java and Malay as well. Very influenced by Japanese design motifs and coloring in it, with fine intricate backgrounds enhanced the appearance of beautiful flowers Designed. Mainly Hokokai was styled as batik Morning Afternoon batik fabrics with color and different models in each half of the length of fabric. Favorite motifs included hoist and slope.
Indonesian batik
Freedom from Dutch colonial rule introduced new designs of Indonesian batik. In the early 50s, President Sukarno encouraged the creation of a new style of batik, batik popularly called Indonesia. A symbiosis between different styles of batik, especially from the principalities of Yogyakarta and Surakarta and the north coast of Java, What soga still used as basic brown color, batik Indonesia was conducted using bright colors. Some appeared in a completely new design, ie, Bird of Paradise, Sruni, Clothes and Food, Prawn, while still using traditional processing systems. Indonesian batik batik is also called Modern.
Batik Sudagaran
An important genus in the development of batik, batik Sudagaran went to the late 19th century the principalities of Surakarta and Yogyakarta. Produced by sudagar or batik merchants, it is easily recognized by modified classical ornaments organized to taste the merchants. Some popular creations Filling A patchwork style, hoist the introduction of snail-like motifs, filled with extra fine slope called spirals Ukel and sperm This shows high quality workmanship.
Coastal batik
Batik designs distinctive coastal towns they are from the northern coast of Java, Pekalongan and Cirebon involved. Designs show through Chinese influence in their use of bright colors, flowers and new motifs.
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