history

History of Modern Batik Art Painting
The art of Batik Art Modern batikSejarah
The continuous evolution of Modern Evolutionary Technique BATIK BATIK continuously Modern Technique
Introduction Introduction
We are inviting enthusiasts of the Modern Batik style on a journey in art Which visits the past, pauses in the present, and continues long into the future. We invite fans travel in style Modern Batik art that visiting the past, stopped at this moment, and continued into the future. You're going to Discover how, over millenniums, a traditional craft art has Evolved into an art form embraced by respected artists and collectors around the world. You'll discover how, over millenniums, a traditional handicraft art has evolved into an art form embraced by respected artists and collectors worldwide. The freedom and immediacy of working with wax and dyes on fabric is similar to That of watercolour painting or acrylic painting. Freedom and closeness working with wax and dye on fabric that is similar to watercolor or acrylic painting. Batik is an ancient craft and the effect That Can be achieved through resist dyeing often results in amazing, unpredictable texture and tones. Batik is an ancient craft and the effects that can be achieved by immersion often rejects the fabulous, unexpected textures and tones. Batik designs Can be as complicated or simple as the artist's Desires. batik designs can be complicated or simple as the artist desires. They Can be realistic and pictorial or purely expressive (abstract). They can be realistic and expressive images or pure (abstract). The main goal, Pls working with batik modern art, is to enjoy the medium and allow the versatility of wax and dyes to Reveal Itself gradually to you on fabric (cotton). The main goal, when working with modern batik art, is to enjoy the flexibility of the medium and allow the wax and dye to reveal themselves gradually to you on the fabric (cotton).
Brief History Brief History
Although experts disagree as to the precise Origins of batik, samples of dye resistance patterns on cloth Can be traced back Thousands of years ago to Egypt and the Middle East. Although the experts agreed to precise origins of batik, samples dye resistance patterns on cloth can be traced back thousands of years ago to Egypt and the Middle East. Samples from past Centuries Also have been found in Turkey, India, China, Japan and West Africa. Samples from the last century have also been found in Turkey, India, China, Japan and West Africa. Although In These countries, Were people using the technique of dye Resisting decoration, within the textile realm, none developed Had the batik art form up to the 1960's as the highly developed intricate batik found on the island of Java in Indonesia. Although in these countries, people use a dye resist technique decorations, in the textile field, nothing is to develop the art form of batik to the 1960s as a very intricate batik found growing on the island of Java in Indonesia.

Batik Arrives in Uganda, East Batik Arrives in Uganda, East
Africa in the 1960's Africa in the 1960s
Intrigue and drama Throughout history permeated the world of art, playing a major role in the development of Some of the most extraordinary breakthrough in artistic expression. Throughout the history of drama and intrigue permeate the art world, played a major role in the development of some of the most incredible breakthrough in artistic expression. A prime example of this is the Renaissance period. A prime example of this is the Renaissance period. Without exception, the evolving of Modern Batik style was accelerated in the 1970's from its entry into East Africa in the early 60's. Without exception, evolved from the Modern Batik style accelerated in the 1970s from its entry into East Africa in the early 60th. At the height of the regime of Ugandan's Idi Amin Dada, many of the best-Known and respected members of the Ugandan community art MOVED to Nairobi, Kenya. At the height of the regime of Idi Amin Dada of Uganda, there are many well-known and respected member of the arts community of Uganda moved to Nairobi, Kenya. They craved to work in more peaceful surroundings. They want to work in a more peaceful environment. Once settled, batiks Became play on their source of income. After sitting, batik became the main source of their income. Their works provided with meaningful mementos of Tourists on their adventurous trips to East Africa. Their works provided tourists with a meaningful memento of their adventure travel to East Africa. At this pivotal period in the evolution of the Modern Batik style, We would be Amiss in ignoring the works of two talented Ugandan artists, the two brothers-Henry and David Kibuuka Lutalo Lumu, Whose extraordinary Truly Innovations and refinements would revolutionize art in East batik Africa and take it to another level. In a very important period in the evolution of the Modern Batik style, we will be OK in ignoring the works of two talented artists of Uganda, the two brothers-Henry Lutalo Lumu and David Kibuuka, remarkable innovation and improvement actually going to revolutionize the art of batik in East Africa and took it to another level. These Innovations provided the art community with unique techniques Which would open up endless possibilities for on their individual artistic expression. This innovation provides the arts community with a unique technique that will open endless possibilities for artistic expression of their own.
David Kibuuka David Kibuuka
David Kibuuka started painting at an early age in Uganda. David Kibuuka began painting at an early age in Uganda. Quickly Became His apparent talent at the age of 11 as he was Able to sell his Paintings in art galleries, Standard and Poor 'Nomo Gallery in Kampala. His talent became quickly look at the age of 11, he was able to sell the painting in an art gallery, like Nomo Gallery in Kampala. At That Time, David's strength was pencil drawing and water color. At that time, David's strength and color pencil drawings of water.
He was introduced to batik by his secondary school art teacher, Joseph Mungaya, WHO worked in the traditional batik technique. He was introduced to batik art by high school teachers, Joseph Mungaya, who works in the traditional batik techniques. This was the first time David would see art being created on fabric with the use of wax and dyes. This is the first time David will look at works of art created on fabric by using wax and dyes. As Mungaya finished a series of batiks he was obligated to send Them to Nairobi, Kenya to be sold to Tourists. Mungaya completing a series of batik as he is obliged to send them to Nairobi, Kenya for sale to tourists. This practice was Becoming more and more Necessary Because Idi Amin Had seriously disrupted the normal lifestyle of the average Ugandan. This practice is increasingly necessary as Idi Amin had seriously disturbed the normal lifestyle of the average Ugandan. David was no exception. David is no exception. So critical was the situation, he decided to leave Uganda for Nairobi-just one year after being introduced to batik art. So a critical situation, he decided to leave Uganda, Nairobi-just one year after being introduced to the art of batik. Batik art would changed from his sole source of income, right through the completion of his college art education in Nairobi. batik art will be the sole source of income, until completion of art school education in Nairobi. Included David's artistic range of his exquisite pencil drawings and water colors, Oils, Acrylics. David's artistic range includes beautiful pencil drawings and water colors, oils, acrylics.

Nairobi, Kenya Nairobi, Kenya
The Modern Batik style was dramatically altered over a period of 13 years. Modern Batik style changed dramatically over 13 years. This period spans the time of David's arrival in Kenya in 1977 Until his Graduation from Ontario College of Art and Design in Canada in 1990. This period was the arrival of David's time range in Kenya in 1977 until graduating from the Ontario College of Art and Design in Canada in 1990. One year after David's arrival ins Nairobi, his elder brother Henry joined him "Lutalo Lumu. One year after David's arrival in Nairobi, his brother Henry Lutalo Lumu join him. While in Kenya, Henry developed new techniques That would revolutionize the art of batik painting. While in Kenya, Henry developed a new technique that will revolutionize the art of batik painting. Using The Same traditional materials of water-based dyes, wax and fabric That Were Used In the traditional Indonesian batik, Henry applied the colors in reverse order, starting with Darker Hues and ending with light. Using traditional materials as water-based dyes, wax and fabric used in traditional Indonesian batik, Henry applied the colors in reverse order, starting with a darker complexion and ends with light. Also importantly, instead of using dyes in their full strength by Dipping the fabric in Them, he controlled the gradual dilution of the Same Them dyes and applied to the fabric using paintbrushes. Also important, instead of using dyes in full force with only a cloth dipped in it, he mastered the gradual dilution of the same dyes and applied them to the cloth using a brush. This allowed Henry's revolutionary approach to create detailed, refined images with dramatically enhanced tonality, shading and depth. This allows Henry's revolutionary approach to create detailed, smooth images with dramatically improved tone, shadow and depth.

Kibuuka, the WHO was working closely with his brother, introduced an additional technique called 'fragmentation' to this medium. Kibuuka, who worked with his brother, introduced an additional technique called 'fragmentation' to this media. This modification added increasing in the background depth, broadness and a palette of colors Richer to the batik art technique, allowing this novel a fine art medium to yield control, detail and richness comparable to acrylic and watercolour painting. This modification added increasing background depth, breadth and a richer color palette with the technique of batik art that this novel art media to produce control, detail and richness comparable with watercolors and acrylics. These modifications have given extraordinary flexibility of Modern Batik Art. This modification provides exceptional flexibility Batik Modern Art.

The rapid development and acceleration of the modern technique of batik During the Nairobi era was brought up by These factors: the rapid development and accelerated during the era of modern batik techniques Nairobi raised by these factors:

*
The art gallery tourist Curio dealers and art dealers all the controlled outlets. Art galleries and antiques dealers dealership mastered the art tour all outlets. They paid very little money for the batiks Which forced artists to Produce batiks in huge numbers. They pay very little money to make batik batik artists to produce in large quantities. Usually Were the numbers from 80 to 300 a month batiks. Usually the number of batik 80-300 per month.
*
A number of Ugandan, Kenyan artists and the WHO European Were Involved in supplying tourist market batik artists Produced That intense competition Among Different styles and techniques began to emerge. A number of Uganda, Kenya, Europe and the artists involved in supplying the tourist market batik produced fierce competition among artists of different styles and techniques began to emerge.

Were there batik three categories: There are three categories of batik:

1.
Super realistic Super realistic batik batiks
2.
Semi-abstract-batik batiks Semi abstract
3.
Traditional batiks. Traditional batik.

Other Notable Ugandan, Kenyan and European batik artists During the 80th's Were, Wasswa, Senkoto, Mutyaba, Sekanwagi, Heidelane, Lukenge, Mugalula, Mungaya, Lubega, Nyanzi, Nsonko, and Gogo, the WHO's all contributed to the expansion of the Modern Batik Art . Other prominent Uganda, Kenya and batik artists during the 80's it was Europe, Wasswa, Senkoto, Mutyaba, Sekanwagi, Heidelane, Lukenge, Mugalula, Mungaya, Lubega, Nyanzi, Nsonko, and Gogo, who all contributed to the expansion of Modern Batik Art.
painting was introduced to East Africa in the 1960s from Indonesia. Art of batik painting was introduced to East Africa in 1960 from Indonesia. This Involved Outlines the applying of a simple, light to dark dyes and wax resist using as the basis for separating colors. This involves the application of simple outlines, light to dark dyes and wax resist using as a basis for separating colors. By the end of the 70s, however, a whole new look to this basic craft was emerging through the talents of two brothers. In the late 70s, however, the new view the whole basis of this craft is to appear through the talents of two brothers.
In 1976 at the height of Idi Amin's regimes; Kibuuka left Uganda to attend art schools in Nairobi, Kenya. In 1976 at the peak regime of Idi Amin; Kibuuka left Uganda to attend art school in Nairobi, Kenya. One year later his older brother, Henry Lutalo Lumu, One year later his brother, Henry Lutalo Lumu,
While in Kenya, Henry developed new techniques That would revolutionize the art of batik painting. While in Kenya, Henry developed a new technique that will revolutionize the art of batik painting. Using The Same traditional materials of water-based dyes, wax and fabric That Were Used in the traditional Indonesian batik, Henry applied the colors in reverse order, starting with Darker Hues and ending with light. Using the same traditional ingredients of water-based dyes, wax and fabric used in traditional Indonesian batik, Henry adopted the colors in reverse order, starting with a darker color and ends with light. Also, importantly, instead of using dyes in full strength is also, importantly, instead of using dyes in full force by mere Dipping the fabric in Them, he controlled the gradual dilution of the Same Them dyes and applied to the fabric using paintbrushes. with only a cloth dipped in it, he mastered the gradual dilution of the same dyes and applied them to the cloth using a brush. This allowed Henry's revolutionary approach to create detailed, refined images with dramatically enhanced tonality, shading and depth. This allows Henry's revolutionary approach to create detailed, smooth images with dramatically improved tone, shadow and depth.
Kibuuka, working closely with his brother, introduced an additional technique to this medium: 'fragmentation'. Kibuuka, in collaboration with his brother, introducing additional techniques for this were: 'fragmentation. "This modification added increasing in the background depth, broadness and a palette of colors Richer to the batik painting, allowing this novel modification of fine art was added depth background to increase, breadth and a richer color palette with batik painting, so that the novel media art to yield control, detail and richness comparable to acrylic and water-color painting. medium to yield control, detail and richness comparable to acrylic and watercolor painting. This modification has been called 'Modern Batik Art Painting. " This modification has been called 'Batik Painting of Modern Art. "
For more information on workshops and registration, please visit us at For more information on workshops and registration, please visit us on the History of Modern Batik Art
The continuous evolution of Modern Evolutionary Technique BATIK BATIK continuously Modern Technique
Introduction Introduction
We are inviting enthusiasts of the Modern Batik style on a journey in art Which visits the past, pauses in the present, and continues long into the future. We invite fans travel in style Modern Batik art that visiting the past, stopped at this moment, and continued into the future. You're going to Discover how, over millenniums, a traditional craft art has Evolved into an art form embraced by respected artists and collectors around the world. You'll discover how, over millenniums, a traditional handicraft art has evolved into an art form embraced by respected artists and collectors worldwide. The freedom and immediacy of working with wax and dyes on fabric is similar to That of watercolour painting or acrylic painting. Freedom and closeness working with wax and dye on fabric that is similar to watercolor or acrylic painting. Batik is an ancient craft and the effect That Can be achieved through resist dyeing often results in amazing, unpredictable texture and tones. Batik is an ancient craft and the effects that can be achieved by immersion often rejects the fabulous, unexpected textures and tones. Batik designs Can be as complicated or simple as the artist's Desires. batik designs can be complicated or simple as the artist desires. They Can be realistic and pictorial or purely expressive (abstract). They can be realistic and expressive images or pure (abstract). The main goal, Pls working with batik modern art, is to enjoy the medium and allow the versatility of wax and dyes to Reveal Itself gradually to you on fabric (cotton). The main goal, when working with modern batik art, is to enjoy the flexibility of the medium and allow the wax and dye to reveal themselves gradually to you on the fabric (cotton).
Brief History Brief History
Although experts disagree as to the precise Origins of batik, samples of dye resistance patterns on cloth Can be traced back Thousands of years ago to Egypt and the Middle East. Although the experts agreed to precise origins of batik, samples dye resistance patterns on cloth can be traced back thousands of years ago to Egypt and the Middle East. Samples from past Centuries Also have been found in Turkey, India, China, Japan and West Africa. Samples from the last century have also been found in Turkey, India, China, Japan and West Africa. Although In These countries, Were people using the technique of dye Resisting decoration, within the textile realm, none developed Had the batik art form up to the 1960's as the highly developed intricate batik found on the island of Java in Indonesia. Although in these countries, people use a dye resist technique decorations, in the textile field, nothing is to develop the art form of batik to the 1960s as a very intricate batik found growing on the island of Java in Indonesia.

Batik Arrives in Uganda, East Batik Arrives in Uganda, East
Africa in the 1960's Africa in the 1960s
Intrigue and drama Throughout history permeated the world of art, playing a major role in the development of Some of the most extraordinary breakthrough in artistic expression. Throughout the history of drama and intrigue permeate the art world, played a major role in the development of some of the most incredible breakthrough in artistic expression. A prime example of this is the Renaissance period. A prime example of this is the Renaissance period. Without exception, the evolving of Modern Batik style was accelerated in the 1970's from its entry into East Africa in the early 60's. Without exception, evolved from the Modern Batik style accelerated in the 1970s from its entry into East Africa in the early 60th. At the height of the regime of Ugandan's Idi Amin Dada, many of the best-Known and respected members of the Ugandan community art MOVED to Nairobi, Kenya. At the height of the regime of Idi Amin Dada of Uganda, there are many well-known and respected member of the arts community of Uganda moved to Nairobi, Kenya. They craved to work in more peaceful surroundings. They want to work in a more peaceful environment. Once settled, batiks Became play on their source of income. After sitting, batik became the main source of their income. Their works provided with meaningful mementos of Tourists on their adventurous trips to East Africa. Their works provided tourists with a meaningful memento of their adventure travel to East Africa. At this pivotal period in the evolution of the Modern Batik style, We would be Amiss in ignoring the works of two talented Ugandan artists, the two brothers-Henry and David Kibuuka Lutalo Lumu, Whose extraordinary Truly Innovations and refinements would revolutionize art in East batik Africa and take it to another level. In a very important period in the evolution of the Modern Batik style, we will be OK in ignoring the works of two talented artists of Uganda, the two brothers-Henry Lutalo Lumu and David Kibuuka, remarkable innovation and improvement actually going to revolutionize the art of batik in East Africa and took it to another level. These Innovations provided the art community with unique techniques Which would open up endless possibilities for on their individual artistic expression. This innovation provides the arts community with a unique technique that will open endless possibilities for artistic expression of their own.
David Kibuuka David Kibuuka
David Kibuuka started painting at an early age in Uganda. David Kibuuka began painting at an early age in Uganda. Quickly Became His apparent talent at the age of 11 as he was Able to sell his Paintings in art galleries, Standard and Poor 'Nomo Gallery in Kampala. His talent became quickly look at the age of 11, he was able to sell the painting in an art gallery, like Nomo Gallery in Kampala. At That Time, David's strength was pencil drawing and water color. At that time, David's strength and color pencil drawings of water.
He was introduced to batik by his secondary school art teacher, Joseph Mungaya, WHO worked in the traditional batik technique. He was introduced to batik art by high school teachers, Joseph Mungaya, who works in the traditional batik techniques. This was the first time David would see art being created on fabric with the use of wax and dyes. This is the first time David will look at works of art created on fabric by using wax and dyes. As Mungaya finished a series of batiks he was obligated to send Them to Nairobi, Kenya to be sold to Tourists. Mungaya completing a series of batik as he is obliged to send them to Nairobi, Kenya for sale to tourists. This practice was Becoming more and more Necessary Because Idi Amin Had seriously disrupted the normal lifestyle of the average Ugandan. This practice is increasingly necessary as Idi Amin had seriously disturbed the normal lifestyle of the average Ugandan. David was no exception. David is no exception. So critical was the situation, he decided to leave Uganda for Nairobi-just one year after being introduced to batik art. So a critical situation, he decided to leave Uganda, Nairobi-just one year after being introduced to the art of batik. Batik art would changed from his sole source of income, right through the completion of his college art education in Nairobi. batik art will be the sole source of income, until completion of art school education in Nairobi. Included David's artistic range of his exquisite pencil drawings and water colors, Oils, Acrylics. David's artistic range includes beautiful pencil drawings and water colors, oils, acrylics.

Nairobi, Kenya Nairobi, Kenya
The Modern Batik style was dramatically altered over a period of 13 years. Modern Batik style changed dramatically over 13 years. This period spans the time of David's arrival in Kenya in 1977 Until his Graduation from Ontario College of Art and Design in Canada in 1990. This period was the arrival of David's time range in Kenya in 1977 until graduating from the Ontario College of Art and Design in Canada in 1990. One year after David's arrival ins Nairobi, his elder brother Henry joined him "Lutalo Lumu. One year after David's arrival in Nairobi, his brother Henry Lutalo Lumu join him. While in Kenya, Henry developed new techniques That would revolutionize the art of batik painting. While in Kenya, Henry developed a new technique that will revolutionize the art of batik painting. Using The Same traditional materials of water-based dyes, wax and fabric That Were Used In the traditional Indonesian batik, Henry applied the colors in reverse order, starting with Darker Hues and ending with light. Using traditional materials as water-based dyes, wax and fabric used in traditional Indonesian batik, Henry applied the colors in reverse order, starting with a darker complexion and ends with light. Also importantly, instead of using dyes in their full strength by Dipping the fabric in Them, he controlled the gradual dilution of the Same Them dyes and applied to the fabric using paintbrushes. Also important, instead of using dyes in full force with only a cloth dipped in it, he mastered the gradual dilution of the same dyes and applied them to the cloth using a brush. This allowed Henry's revolutionary approach to create detailed, refined images with dramatically enhanced tonality, shading and depth. This allows Henry's revolutionary approach to create detailed, smooth images with dramatically improved tone, shadow and depth.

Kibuuka, the WHO was working closely with his brother, introduced an additional technique called 'fragmentation' to this medium. Kibuuka, who worked with his brother, introduced an additional technique called 'fragmentation' to this media. This modification added increasing in the background depth, broadness and a palette of colors Richer to the batik art technique, allowing this novel a fine art medium to yield control, detail and richness comparable to acrylic and watercolour painting. This modification added increasing background depth, breadth and a richer color palette with the technique of batik art that this novel art media to produce control, detail and richness comparable with watercolors and acrylics. These modifications have given extraordinary flexibility of Modern Batik Art. This modification provides exceptional flexibility Batik Modern Art.

The rapid development and acceleration of the modern technique of batik During the Nairobi era was brought up by These factors: the rapid development and accelerated during the era of modern batik techniques Nairobi raised by these factors:

*
The art gallery tourist Curio dealers and art dealers all the controlled outlets. Art galleries and antiques dealers dealership mastered the art tour all outlets. They paid very little money for the batiks Which forced artists to Produce batiks in huge numbers. They pay very little money to make batik batik artists to produce in large quantities. Usually Were the numbers from 80 to 300 a month batiks. Usually the number of batik 80-300 per month.
*
A number of Ugandan, Kenyan artists and the WHO European Were Involved in supplying tourist market batik artists Produced That intense competition Among Different styles and techniques began to emerge. A number of Uganda, Kenya, Europe and the artists involved in supplying the tourist market batik produced fierce competition among artists of different styles and techniques began to emerge.

Were there batik three categories: There are three categories of batik:

1.
Super realistic Super realistic batik batiks
2.
Semi-abstract-batik batiks Semi abstract
3.
Traditional batiks. Traditional batik.

Other Notable Ugandan, Kenyan and European batik artists During the 80th's Were, Wasswa, Senkoto, Mutyaba, Sekanwagi, Heidelane, Lukenge, Mugalula, Mungaya, Lubega, Nyanzi, Nsonko, and Gogo, the WHO's all contributed to the expansion of the Modern Batik Art . Other prominent Uganda, Kenya and batik artists during the 80's it was Europe, Wasswa, Senkoto, Mutyaba, Sekanwagi, Heidelane, Lukenge, Mugalula, Mungaya, Lubega, Nyanzi, Nsonko, and Gogo, who all contributed to the expansion of Modern Batik Art.