Batik twisted Charcoal
Search for identity can be built through what can be moved in bulk, whether in art or in other social activities. So that the movement has become bercitra and mentradisi, which eventually culminated in one word icon. Sawahlunto through dynamic motion and creative ways of thinking mayor, then gave birth to a new buzz-buzz. One of them in an effort to move the creative economy through the proclamation of batik products charcoal, which is expected to absorb new job opportunities through the craft of batik.
The birth of batik with charcoal because it is identical Sawahlunto as producer of coal,
This batik design batik painter Sarkasi handled by Singapore-Said. Batik motif built, tends to batik painting (not a painting batik) as the dominant medium used is not canting, but like the brush strokes. Bend are canting white lines on a black base, or bend are canting black line on white ground, is a dynamic scratches.
Mayor Amran Nur According Sawahlunto, that charcoal is a contemporary batik batik. Being fit when space was given creative freedom on achievement motives initiated Sarkasi, that batik because Sawahlunto identical charcoal black coal producers. But the philosophy of batik Sawahlunto charcoal, giving the impression the wearer to be immortal (black color) in the good (white), something that gives life to the human spirit.
Building a search for identity to be ikonitas on charcoal batik Sawahlunto, indeed require a long road, this should be done through the introduction-an introduction to the public, through exhibitions both domestically and abroad, and bazaars. How to create batik tradition of charcoal into something that is necessary and sought their society, because if the user batik charcoal, only people Sawahlunto berapalah population. Therefore must have the tips in marketing products that have a regional identity, by making cataloque as media information using English and Indonesian. Cataloque the dtitipkan in hotels, so that audiences from around the country know and can become centers of batik will visit Sawahlunto charcoal. So also build a network via the Internet and other mediation.
Involvement of batik painter Sarkasi Said Singaporean against charcoal Sawahlunto batik design, is the sense of the social environment and the sharpness of his intuition when he saw the potential that exists in Sawahlunto. Like the painter Sapto Hudoyo done in 1970 when providing input to the craftsmen Kasongan Yogyakarta, the artisans making pots, jars, flower pots, etc., that had more to its functional value. Now that makes ceramic pekriya packhorse, eagle, goat, and so a more aesthetic value in its products that bring economic value added, than when a craftsman.
Sensitivity painter (artist), as did Sarkasi in Sawahlunto and Sapto Hudoyo in Yogyakarta, has not been done by many artists of West Sumatra. This caused the painter was still focusing on-canvas canvas than seeing the potential that exists in areas with so much craft, only to provide inputs such as design development, it will create an interesting and captivating form so that what is called the creative economy in West Sumatra will grow and flourish. This, too, if supported by dynamic as did Mayor Sawahlunto, in order to raise young people engaged in the groove Sawahlunto batik craft of charcoal within the framework of identity in order to come to ikonitas Sawahlunto.
The birth of batik with charcoal because it is identical Sawahlunto as producer of coal,
This batik design batik painter Sarkasi handled by Singapore-Said. Batik motif built, tends to batik painting (not a painting batik) as the dominant medium used is not canting, but like the brush strokes. Bend are canting white lines on a black base, or bend are canting black line on white ground, is a dynamic scratches.
Mayor Amran Nur According Sawahlunto, that charcoal is a contemporary batik batik. Being fit when space was given creative freedom on achievement motives initiated Sarkasi, that batik because Sawahlunto identical charcoal black coal producers. But the philosophy of batik Sawahlunto charcoal, giving the impression the wearer to be immortal (black color) in the good (white), something that gives life to the human spirit.
Building a search for identity to be ikonitas on charcoal batik Sawahlunto, indeed require a long road, this should be done through the introduction-an introduction to the public, through exhibitions both domestically and abroad, and bazaars. How to create batik tradition of charcoal into something that is necessary and sought their society, because if the user batik charcoal, only people Sawahlunto berapalah population. Therefore must have the tips in marketing products that have a regional identity, by making cataloque as media information using English and Indonesian. Cataloque the dtitipkan in hotels, so that audiences from around the country know and can become centers of batik will visit Sawahlunto charcoal. So also build a network via the Internet and other mediation.
Involvement of batik painter Sarkasi Said Singaporean against charcoal Sawahlunto batik design, is the sense of the social environment and the sharpness of his intuition when he saw the potential that exists in Sawahlunto. Like the painter Sapto Hudoyo done in 1970 when providing input to the craftsmen Kasongan Yogyakarta, the artisans making pots, jars, flower pots, etc., that had more to its functional value. Now that makes ceramic pekriya packhorse, eagle, goat, and so a more aesthetic value in its products that bring economic value added, than when a craftsman.
Sensitivity painter (artist), as did Sarkasi in Sawahlunto and Sapto Hudoyo in Yogyakarta, has not been done by many artists of West Sumatra. This caused the painter was still focusing on-canvas canvas than seeing the potential that exists in areas with so much craft, only to provide inputs such as design development, it will create an interesting and captivating form so that what is called the creative economy in West Sumatra will grow and flourish. This, too, if supported by dynamic as did Mayor Sawahlunto, in order to raise young people engaged in the groove Sawahlunto batik craft of charcoal within the framework of identity in order to come to ikonitas Sawahlunto.
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